This year, Tightrope Books has published, for the 10th anniversary of their Best Canadian Poetry in English series, a selection of 90 poems from the previous nine years. Molly Peacock and Anita Lahey have kindly included my poem "One and One" and excerpts from Rachel's Cottonopolis sequence. We recently got our contributors' copies and there are many other fine works included, no surprise.
This poem of mine has proven to be quite successful, as poems go, which is further proof that there can be no formula for writing "good poetry." As I said when I first posted it on CLM, I'm at a loss to account for where it came from or what, precisely, it might mean. Its cycling syntax and basic diction seem to have broken the Poetry Assessor machine, which scored the "One and One" at 9.4, which, I was told by the person running the Poetry Assessor's Twitter account, is--or was at the time--the highest recorded score for any poem run through the Assessor's software. FWIW, caveat emptor, etc.